Sunday, January 27, 2013

The Secret Life of Emily Dickinson by Jerome Charyn


Jerome Charyn, "one of the most important writers in American literature" (Michael Chabon), continues his exploration of American history through fiction with The Secret Life of Emily Dickinson, hailed by prize-winning literary historian Brenda Wineapple as a "breathtaking high-wire act of ventriloquism." Channeling the devilish rhythms and ghosts of a seemingly buried literary past, Charyn removes the mysterious veils that have long enshrouded Dickinson, revealing her passions, inner turmoil, and powerful sexuality. The novel, daringly written in first person, begins in the snow. It's 1848, and Emily is a student at Mount Holyoke, with its mournful headmistress and strict, strict rules. Inspired by her letters and poetry, Charyn goes on to capture the occasionally comic, always fevered, ultimately tragic story of her life-from defiant Holyoke seminarian to dying recluse







On December 10, 2011, Emily Dickinson's 181st birthday, Jerome Charyn, author of the novel "The Secret Life of Emily Dickinson", spoke at the Emily Dickinson Museum. His talk, "Emily Dickinson: Outlaw" began with this video illustrating Dickinson's reach into 21st Century culture.





Interview on Jerome Charyn on Emily Dickinson and his novel " The Secret Life of Emily Dickinson" 






Video: Poems


These are videos documented by the followers of Emily Dickinson.


Because I could not stop for Death 




There's been a death in the opposite house 




Some Keep the Sabbath Going to Church








The Bee is not afraid of me 







There's a certain Slant of Light 






The Life and Death of Emily Dickinson 








Quick tour at the Emily Dickinson Museum


Videos 

A visit to the Emily Dickinson Homestead & Museum in Amherst MA by mnolanporter






The Poet in her bedroom by eurvater








Visiting Emily DIckinson by Bill Dusty 






Emily Dickinson's Garden: The Poetry of Flowers. Director of Exhibitions and Seasonal Displays, Karen Daubmann takes you on a behind the scenes tour of the construction process.


The Making of Emily Dickinson's Garden -- The Poetry of Flowers part 1





The Making of Emily Dickinson's Garden -- The Poetry of Flowers part 2 



The Making of Emily Dickinson's Garden -- The Poetry of Flowers part 3 


   







Emily Dickinson Museum

The Emily Dickinson Museum includes The Homestead, where poet Emily Dickinson was born and lived most of her life, and The Evergreens, home of the poet’s brother and his family. The two houses share three acres of the original Dickinson property in the center of Amherst, Massachusetts.


The Museum

WELCOME TO THE EMILY DICKINSON MUSEUM: THE HOMESTEAD AND THE EVERGREENS! 

The Emily Dickinson Museum comprises two historic houses in the center of Amherst, Massachusetts associated with the poet Emily Dickinson and members of her family during the nineteenth and early twentieth centuries. The Homestead was the birthplace and home of the poet Emily Dickinson. The Evergreens, next door, was home to her brother Austin, his wife Susan, and their three children.
Emily Dickinson Museum logo
The Museum was created in 2003 when the two houses merged under the ownership of Amherst College. Its mission is to educate diverse audiences about Emily Dickinson’s life, family, creative work, times, and enduring relevance, and to preserve and interpret the Homestead and The Evergreens as historical resources for the benefit of scholars and the general public.
In just a few short years the Emily Dickinson Museum has established a vibrant presence and ambitious program for encouraging a broad appreciation for this remarkable poet's unparalleled work.  A few of the Museum's most noteworthy accomplishments include:

  • creating four distinctive tours that present the story of Emily Dickinson from a variety of engaging perspectives.
  • designing lively programs--from poetry marathons and an annual 19th-century children's circus to rock concerts, lectures and hands-on workshops--to attract a wide and diverse audience.
  • installing the Museum's first professionally-designed interpretive exhibit, "my Verse is alive," about the early publication of Dickinson's poetry.
  • establishing a national program of intensive professional development workshops for K-12 teachers.
  • completing a series of planning documents to guide long-term restoration of both historic houses and the grounds.
  • restoring the Homestead's exterior to its authentic Dickinson-era color scheme.
  • enhancing the mechanical systems, fire detection systems, and drainage systems to promote long-term safety and preservation of the historic houses and collection


History of the Emily Dickinson Museum

The Emily Dickinson Museum
THE MUSEUM WAS CREATED IN 2003 when the two houses merged under the ownership of Amherst College. The Museum is dedicated to educating diverse audiences about Emily Dickinson’s life, family, creative work, times, and enduring relevance, and to preserving and interpreting the Homestead and The Evergreens as historical resources for the benefit of scholars and the general public.The Homestead and The Evergreens, with such close ties in the nineteenth century, saw their paths diverge in the twentieth. The Homestead was sold in 1916 to another Amherst family and underwent some modernization. In 1965, in recognition of the poet’s growing stature, the Homestead was purchased by Amherst College and open to the public for tours. It also served as a faculty residence for many years.
Next door, The Evergreens, occupied by Dickinson family heirs until 1988, remained virtually unchanged for a hundred years. In 1991, The Evergreens passed to a private testamentary trust, the Martha Dickinson Bianchi Trust (named in honor of Emily Dickinson’s niece), which began developing the house as a museum.
Collaborations between the Homestead and The Evergreens began as the Martha Dickinson Bianchi Trust prepared to open Austin Dickinson’s house to the public in the late 1990s. The success of these joint efforts suggested that uniting as one museum would have great advantages for the public as well as for administration and governance of the sites. Together the houses tell a more complete story about the poet, her family, and the world in which she lived.
To that end, The Emily Dickinson Museum was created on July 1, 2003, when ownership of The Evergreens was transferred by the Martha Dickinson Bianchi Trust to Amherst College. The merger of the houses and the three acres on which they stand restored the parts of the property to the estate Dickinson herself had known and furthers the College's long-standing and complex associations with the Dickinson family and its stewardship of Emily Dickinson’s poetry and other manuscripts.

Photos at the museum 

The Homestead, built around 1813 for Emily Dickinson’s grandparents, was where Emily was born in 1830. Her family moved to another house in 1840, but moved back here in 1855. Emily and her sister, Lavinia, lived here for the rest of their lives.
The Homestead, built around 1813 for Emily Dickinson’s grandparents, was where Emily was born in 1830. Her family moved to another house in 1840, but moved back here in 1855. Emily and her sister, Lavinia, lived here for the rest of their lives

 Front yard of the museum.



The only authenticated image of Emily Dickinson, circa 1847.
The only authenticated image of Emily Dickinson, circa 1847


In Emily’s bedroom (upper left corner of the house) is the small table at which she wrote.

In Emily’s bedroom (upper left corner of the house) is the small table at which she wrote

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Parlor of the Evergreens. Courtesy of the Emily Dickinson Museum: the Homestead and the Evergreens. Amherst, Mass.

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Another view of the parlor at the Evergreens. Courtesy of the Emily Dickinson Museum: the Homestead and the Evergreens. Amherst, Mass
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Country Farmhouse in Winter
 (1857). Cornelius Krieghoff (1815-1872). Courtesy of the Emily Dickinson Museum: the Homestead and the Evergreens. Amherst, Mass
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A nursery door at the Evergreens. Courtesy of the Emily Dickinson Museum: the Homestead and the Evergreens. Amherst, Mass.
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Detail of a nursery door at the Evergreens. Courtesy of the Emily Dickinson Museum: the Homestead and the Evergreens. Amherst, Mass.
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View of the entrance hall of the Evergreens. Courtesy of the Emily Dickinson Museum: the Homestead and the Evergreens. Amherst, Mass
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Entrance hall of the Evergreens. Courtesy of the Emily Dickinson Museum: the Homestead and the Evergreens. Amherst, Mass.




To know more about the Emily Dickinson Museum -- The Homestead and the Evergreens 

please click on this link. >>> Emily Dickinson Museum 


























Works -- Part 5: The Single Hound


Part Five: The Single Hound
One sister have I in our house
  1. Adventure most unto itself
  2. The Soul that has a Guest
  3. Except the smaller size, no Lives are round
  4. Fame is a fickle food
  5. The right to perish might be thought
  6. Peril as a possession
  7. When Etna basks and purrs
  8. Reverse cannot befall that fine Prosperity
  9. To be alive is power
  10. Witchcraft has not a pedigree
  11. Exhilaration is the Breeze
  12. No romance sold unto
  13. If what we could were what we would
  14. Perception of an
  15. No other can reduce
  16. The blunder is to estimate
  17. My Wheel is in the dark
  18. There is another Loneliness
  19. So gay a flower bereaved the mind
  20. Glory is that bright tragic thing
  21. The missing All prevented me
  22. His mind, of man a secret makes
  23. The suburbs of a secret
  24. The difference between despair
  25. There is a solitude of space
  26. The props assist the house
  27. The gleam of an heroic act
  28. Of Death the sharpest function
  29. Down Time’s quaint stream
  30. I bet with every Wind that blew
  31. The Future never spoke
  32. Two lengths has every day
  33. The Soul’s superior instants
  34. Nature is what we see
  35. Ah, Teneriffe!
  36. She died at play
  37. Morning’ means ‘Milking’ to the Farmer
  38. A little madness in the Spring
  39. I can’t tell you, but you feel it
  40. Some Days retired from the rest
  41. Like Men and Women shadows walk
  42. The butterfly obtains
  43. Beauty crowds me till I die
  44. We spy the Forests and the Hills
  45. I never told the buried gold
  46. The largest fire ever known
  47. Bloom upon the Mountain, stated
  48. March is the month of expectation
  49. The Duties of the Wind are few
  50. The Winds drew off
  51. I think that the root of the Wind is Water
  52. So, from the mould
  53. The long sigh of the Frog
  54. A cap of lead across the sky
  55. I send two Sunsets
  56. Of this is Day composed
  57. The Hills erect their purple heads
  58. Lightly stepped a yellow star
  59. The Moon upon her fluent route
  60. Like some old-fashioned miracle
  61. Glowing is her Bonnet
  62. Forever cherished be the tree
  63. The Ones that disappeared are back
  64. Those final Creatures,—who they are
  65. Summer begins to have the look
  66. A prompt, executive Bird is the Jay
  67. Like brooms of steel
  68. These are the days that Reindeer love
  69. Follow wise Orion
  70. In winter, in my room
  71. Not any sunny tone
  72. For Death,—or rather
  73. Dropped into the
  74. This quiet Dust was Gentlemen and Ladies
  75. T was comfort in her dying room
  76. Too cold is this
  77. I watched her face to see which way
  78. To-day or this noon
  79. I see thee better in the dark
  80. Low at my problem bending
  81. If pain for peace prepares
  82. I fit for them
  83. Not one by Heaven defrauded stay
  84. The feet of people walking home
  85. We should not mind so small a flower
  86. To the staunch Dust we safe commit thee
  87. Her ‘Last Poems
  88. Immured in Heaven! What a Cell!
  89. I ’m thinking of that other morn
  90. The overtakelessness of those
  91. The Look of Thee, what is it like?
  92. The Devil, had he fidelity
  93. Papa above!
  94. Not when we know
  95. Elijah’s wagon knew no thill
  96. Remember me,’ implored the Thief
  97. To this apartment deep
  98. Sown in dishonor?
  99. Through lane it lay, through bramble
  100. Who is it seeks my pillow nights?
  101. His Cheek is his Biographer
  102. Heavenly Father,’ take to thee
  103. The sweets of Pillage can be known
  104. The Bible is an antique volume
  105. A little over Jordan
  106. Dust is the only secret
  107. Ambition cannot find him
  108. Eden is that old-fashioned House
  109. Candor, my tepid Friend
  110. Speech is a symptom of affection
  111. Who were ‘the Father and the Son
  112. That Love is all there is
  113. The luxury to apprehend
  114. The Sea said ‘Come’ to the Brook
  115. All I may, if small
  116. Love reckons by itself alone
  117. The inundation of the Spring
  118. No Autumn’s intercepting chill
  119. Volcanoes be in Sicily
  120. Distance is not the realm of Fox
  121. The treason of an accent
  122. How destitute is he
  123. Crisis is sweet and, set of Heart
  124. To tell the beauty would decrease
  125. To love thee, year by year
  126. I showed her heights she never saw
  127. On my volcano grows the grass
  128. If I could tell how glad I was
  129. Her Grace is all she has
  130. No matter where the Saints abide
  131. To see her is a picture
  132. So set its sun in thee
  133. Had this one day not been
  134. That she forgot me was the least
  135. The incidents of Love
  136. A little overflowing word
  137. Just so, Jesus raps—He does not weary
  138. Safe Despair it is that raves
  139. The Face we choose to miss
  140. Of so divine a loss
  141. The healed Heart shows its shallow scar
  142. Give little anguish
  143. To pile like Thunder to its close
  144. The Stars are old, that stood for me
  145. All circumstances are the frame
  146. I did not reach thee

Works -- Part 4: Time and Eternity


Part Four: Time and Eternity

  1. One dignity delays for all
  2. Delayed till she had ceased to know
  3. Departed to the judgment
  4. Safe in their alabaster chambers
  5. On this long storm the rainbow rose
  6. My cocoon tightens, colors tease
  7. Exultation is the going
  8. Look back on time with kindly eyes
  9. A train went through a burial gate
  10. I died for beauty, but was scarce
  11. How many times these low feet staggered
  12. I like a look of agony
  13. That short, potential stir
  14. I went to thank her
  15. I ’ve seen a dying eye
  16. The clouds their backs together laid
  17. I never saw a moor
  18. God permits industrious angels
  19. To know just how he suffered would be dear
  20. The last night that she lived
  21. Not in this world to see his face
  22. The bustle in a house
  23. I reason, earth is short
  24. Afraid? Of whom am I afraid?
  25. The sun kept setting, setting still
  26. Two swimmers wrestled on the spar
  27. Because I could not stop for Death
  28. She went as quiet as the dew
  29. At last to be identified!
  30. Except to heaven, she is nought
  31. Death is a dialogue between
  32. It was too late for man
  33. When I was small, a woman died
  34. The daisy follows soft the sun
  35. No rack can torture me
  36. I lost a world the other day
  37. If I should n’t be alive
  38. Sleep is supposed to be
  39. I shall know why, when time is over
  40. I never lost as much but twice
  41. Let down the bars, O Death!
  42. Going to heaven!
  43. At least to pray is left, is left
  44. Step lightly on this narrow spot!
  45. Morns like these we parted
  46. A death-blow is a life-blow to some
  47. I read my sentence steadily
  48. I have not told my garden yet
  49. They dropped like flakes, they dropped like stars
  50. The only ghost I ever saw
  51. Some, too fragile for winter winds
  52. As by the dead we love to sit
  53. Death sets a thing significant
  54. I went to heaven
  55. Their height in heaven comforts not
  56. There is a shame of nobleness
  57. A triumph may be of several kinds
  58. Pompless no life can pass away
  59. I noticed people disappeared
  60. I had no cause to be awake
  61. If anybody’s friend be dead
  62. Our journey had advanced
  63. Ample make this bed
  64. On such a night, or such a night
  65. Essential oils are wrung
  66. I lived on dread; to those who know
  67. If I should die
  68. Her final summer was it
  69. One need not be a chamber to be haunted
  70. She died,—this was the way she died
  71. Wait till the majesty of Death
  72. Went up a year this evening!
  73. Taken from men this morning
  74. What inn is this
  75. It was not death, for I stood up
  76. I should not dare to leave my friend
  77. Great streets of silence led away
  78. A throe upon the features
  79. Of tribulation these are they
  80. I think just how my shape will rise
  81. After a hundred years
  82. Lay this laurel on the one
  83. This world is not conclusion
  84. We learn in the retreating
  85. They say that ‘time assuages
  86. We cover thee, sweet face
  87. That is solemn we have ended
  88. The stimulus, beyond the grave
  89. Given in marriage unto thee
  90. That such have died enables us
  91. They won’t frown always—some sweet day
  92. T is an honorable thought
  93. The distance that the dead have gone
  94. How dare the robins sing
  95. Death is like the insect
  96. T is sunrise, little maid, hast thou
  97. Each that we lose takes part of us
  98. Not any higher stands the grave
  99. As far from pity as complaint
  100. T is whiter than an Indian pipe
  101. She laid her docile crescent down
  102. Bless God, he went as soldiers
  103. Immortal is an ample word
  104. Where every bird is bold to go
  105. The grave my little cottage is
  106. This was in the white of the year
  107. Sweet hours have perished here
  108. Me! Come! My dazzled face
  109. From use she wandered now a year
  110. I wish I knew that woman’s name
  111. Bereaved of all, I went abroad
  112. I felt a funeral in my brain
  113. I meant to find her when I came
  114. I sing to use the waiting
  115. A sickness of this world it most occasions
  116. Superfluous were the sun
  117. So proud she was to die
  118. Tie the strings to my life, my Lord
  119. The dying need but little, dear
  120. There ’s something quieter than sleep
  121. The soul should always stand ajar
  122. Three weeks passed since I had seen her
  123. I breathed enough to learn the trick
  124. I wonder if the sepulchre
  125. If tolling bell I ask the cause
  126. If I may have it when it ’s dead
  127. Before the ice is in the pools
  128. I heard a fly buzz when I died
  129. Adrift! A little boat adrift!
  130. There’s been a death in the opposite house
  131. We never know we go,—when we are going
  132. It struck me every day
  133. Water is taught by thirst
  134. We thirst at first,—’t is Nature’s act
  135. A clock stopped—not the mantel’s
  136. All overgrown by cunning moss
  137. A toad can die of light!
  138. Far from love the Heavenly Father
  139. A long, long sleep, a famous sleep
  140. T was just this time last year I died
  141. On this wondrous sea

Works -- Part 3: Love


Part Three: Love


It ’s all I have to bring to-day
  1. Mine by the right of the white election!
  2. You left me, sweet, two legacies
  3. Alter? When the hills do
  4. Elysium is as far as to
  5. Doubt me, my dim companion!
  6. If you were coming in the fall
  7. I hide myself within my flower
  8. That I did always love
  9. Have you got a brook in your little heart
  10. As if some little Arctic flower
  11. My river runs to thee
  12. I cannot live with you
  13. There came a day at summer’s full
  14. I ’m ceded, I ’ve stopped being theirs
  15. T was a long parting, but the time
  16. I ’m wife; I ’ve finished that
  17. She rose to his requirement, dropped
  18. Come slowly, Eden!
  19. Of all the souls that stand create
  20. I have no life but this
  21. Your riches taught me poverty
  22. I gave myself to him
  23. Going to him! Happy letter! Tell him
  24. The way I read a letter’s this
  25. Wild nights! Wild nights!
  26. The night was wide, and furnished scant
  27. Did the harebell loose her girdle
  28. A charm invests a face
  29. The rose did caper on her cheek
  30. In lands I never saw, they say
  31. The moon is distant from the sea
  32. He put the belt around my life
  33. I held a jewel in my fingers
  34. What if I say I shall not wait?
  35. Proud of my broken heart since thou didst break it
  36. My worthiness is all my doubt
  37. Love is anterior to life
  38. One blessing had I, than the rest
  39. When roses cease to bloom, dear
  40. Summer for thee grant I may be
  41. Split the lark and you ’ll find the music
  42. To lose thee, sweeter than to gain
  43. Poor little heart!
  44. There is a word
  45. I ’ve got an arrow here
  46. He fumbles at your spirit
  47. Heart, we will forget him!
  48. Father, I bring thee not myself
  49. We outgrow love like other things
  50. Not with a club the heart is broken
  51. My friend must be a bird
  52. He touched me, so I live to know
  53. Let me not mar that perfect dream
  54. I live with him, I see his face
  55. I envy seas whereon he rides
  56. A solemn thing it was, I said
  57. Title divine is mine

Saturday, January 26, 2013

Timeline part One


Emily Elizabeth Dickinson 



Emily Dickinson's parents marry


June 6, 1828 

While attending a chemistry lecture one evening, Edward Dickinson sat next to Emily Norcross, who lived in the neighboring town of Monson. Edward was fixated on the gentle and pretty woman, courting her by letter for two and a half years. 
During their courtship, Emily wrote considerably less than Edward. Some argue that it is possible that she distrusted a passionate pursuit after such a scant acquaintance. But after seeing Emily Norcross twice in person, Edward Dickinson proposed marriage. Emily Norcross seemed hesitant, about marrying this dashing and driven man. However, regardless of her reservations, Emily Norcross succumbed to Edward's persistence and the couple married on 6 May 1828. Like most women of her time, the newly married Mrs. Dickinson left her family, friends, and home to make a new life with her husband. And almost immediately after marriage, te Dickinsons began building their family




 William Austin, Emily Dickinson’s brother, is born








April 16, 1829 

Emily Dickinson's older brother, William Austin Dickinson (usually known by his middle name Austin) was born on April 16, 1829. Dickinson’s early relations with her only brother were competitive. In many ways they were alike - both were intellectual and ambitious. Though Dickinson’s education was excellent for a woman of the mid-nineteenth century, it is likely that she envied her brother’s ability to circulate in the larger world. Thus, they were always friendly rivals. 






Emily Elizabeth Dickinson is born



December 10. 1830 
Emily Elizabeth Dickinson was born in Amherst, Massachusetts, on December 10, 1830 to Edward Dickinson and Emily Norcross. She was born in a large house built by her grandfather Samuel Fowler Dickinson - the Homestead, where she lived in during most of her adult life. She was the middle child in the Dickinson family. Her brother Austin was a year and a half older, and her sister Lavinia was two years younger. Their father, Edward Dickinson, was a prominent Amherst lawyer, the treasurer of Amherst College and, later, a U.S. Congressman. A taciturn and sometimes cold man, he demanded a lot from his children. He was so inexpressive that when his rare smiles were almost "embarrassing," as Emily wrote to a friend. Emily was Edward's favorite, although he took pains to hide his affection for his middle child. Emily Norcross Dickinson, Emily's mother, was also a detached and somewhat absent- minded parent. She shared little in common with her daughter Emily, and the two women remained wary of each other for most of their lives.


Lavinia Norcross Dickinson, Emily's younger sister


February 28, 1833


On 28 February 1833, Lavinia Norcross Dickinson, Emily's younger sister was born. Emily's sister had a personality much like that of her mother. However, unlike Emily's relationship with her mother, there is no indication of antagonism between the two sisters. The two were very close growing up and they supported each other during their adult years. In fact, it was Lavinia whom Emily entrusted with her letters and poems in her deathbed. And were it not for Lavinia's efforts after Emily's death it is likely that a first collection of Emily Dickinson's poems would never have appeared.



Emily stays with Aunt Lavinia Norcross in Monson


May 1833

Due to the frequent illnesses of her mother and her sister when she was two and a half years old, Emily was forced to stay at the Norcross residence and tavern at 14 Cushman St. in Monson where she spent a full month under the care of her aunt, Lavinia Norcross from May to June 1833. 


Samuel Dickinson sells his half of Homestead

May 22, 1833


Having spent thousands of dollars in the cause of education, Emily's grandfather, Samuel Fowler Dickinson had become insolvent by early 1833. On May 22, 1833, he was forced to sell his half of the Homestead to David Mack, owner of a general store in Amherst, before resettling in Ohio. After selling his half of Homestead, Samuel Dickinson moved to Cincinnati, Ohio, where he did church-related work. He died of pneumonia on 22 April 1835.Emily Dickinson and her family therefore lived at the Homestead with the Mack family for seven years before moving to North Pleasant in 1840.



Emily begins four years at "Primary School"

September 7, 1835

On 7 September 1835, Emily began attending a one-room primary school near her home, the West Center District School, where she will spend her first four years of formal schooling. Despite frequently missing classes due to frequent illness, Emily was a focused, competent student who kept atop her studies.


Edward moves his family to North Pleasant


                                                                             April 1840
After Samuel Dickinson sold his half of the Homestead in 1833, Emily Dickinson's family encountered financial difficulties. This forcedher father, Edward Dickinson, to sell his half of the Homestead to a cousin who then sold the entire building building to the Mack family. Thus, Emily was only 9 years old when her father moved the whole family to a house in West Street (now known as North Pleasant), next to the town's burial ground. It is in this house that Emily spent her formative years. It is here that she watched funeral processions from window overlooking the gated entrance to the village cemetery adjoining the Dickinson property. It was also in this hourse that she lived her most social years, her correspondence filled with references to sociables, sleigh rides, charades, sugaring parties, country rides, and forest walks. And it was here that Dickinson first met Susan Gilbert, the woman whom, most scholars concede, was the emotional center of Dickinson's life.



Studies at Amherst Academy



Sep 7, 1840 - Aug 10, 1847

For six years beginning 7 September 1840, Emily attended the nearby Amherst Academy with her sister Lavinia. It was a former boys' school which had opened to female students just two years earlier. There she studied philosophy, Latin, geology, botany, astronomy, theology, church history, ancient history, geography, chemistry, literature, grammar and composition, among other subjects. By Emily Dickinson's account, she delighted in all aspects of the school-the curriculum, the teachers, the students. She was particularly enchanted by botany, and her proficiency in the subject attracted the attention of Amherst Academy's young principal, Leonard Humphrey, himself an avid botany scholar. He loaned Emily many books on botany from his own library. Emily had to hide the books from her father, who would have considered them unacceptably light reading. This interest also reappeared in Dickinson's poems and letters through her fascination with naming, her skilled observation and cultivation of flowers, her carefully wrought descriptions of plants, and her interest in "chemic force." In "'Arturus' is his other name" she writes, "I pull a flower from the woods- / A monster with a glass / Computes the stamens in a breath- / And has her in a 'class!'" At the same time, Dickinson's study of botany was clearly a source of  delight. She encouraged her friend Abiah Root to join her in a school assignment: "Have you made an herbarium yet? I hope you will, if you have not, it would be such a treasure to you." She herself took that assignment seriously, keeping the herbarium generated by her botany textbook for the rest of her life.


The Dickinson siblings' education is divided



April 1842 

By the time of Emily started school, there were three children in the household - Emily, her older brother Austin, and her younger sister Lavinia. However, although the Dickinson children have always attended school together, the three siblings’ education was soon divided when Austin left Amherst Academy and was sent to Williston Seminary in 1842.










Friendship with Abiah Root begins




June 1844

One of the biggest advantages Amherst Academy gave Emily was the opportunity to build friendships. She became friends with several women from Amherst including Helen Fiske, Helen Hunt (eventually Helen Hunt Jackson) and Abiah Palmer Root, whom she met on June 1844 at the age of 13. 

Emily and Abiah Root remained close friends and correspondents during their youth. Even after Root left Amherst in 1845, the two exchanged frequent letters. However, in 1846, amid the Second Great Awakening of religious revivals which swept through the area, Root was converted while Dickinson remained unconvinced, decisively ending their friendship in 1848 when Dickinson's sentiments cooled.




Visits family in Worcester

                                                             June 4, 1844

Although most modern readers considered Emily Dickinson as a shy, self-sequestered recluse who restricted her adult life in Homestead, her youth was a completely different scenario. 

As a young woman she traveled several times to visit relatives in Boston, Cambridge, and Connecticut. In one of her travels, she visited her uncle, William Dickinson, in Worcester on June 4, 1844. She also visited her Aunt Lavinia Norcross in Boston during the previous month. 


This therefore suggests that while she was not necessarily an overly sociable person, she certainly valued her family and friends, visiting them often.
 







Joel Norcross, Emily's grandfather, dies.

May 5, 1846 

Joel Norcross, Emily Dickinson's grandfather died on 5 May, 1846. As some scholars suggest, it is the occasion of his death that prompted the series of events, which lead to Emily Dickinson's iconic daguerreotype. 


A year after Joel Norcross' death, his daughter Emily Norcross who was still deep in mourning wanted an image of him. During this time, daguerrian artist William C. North was taking daguerreotypes of the people of Amherst. To appease his wife, Edward Dickinson hired North to have Joel Norcross' daguerreotype taken. 

According to Mary Elizabeth Kromer Bernhard, it was also during this occasion that Emily Dickinson and her mother Emily Norcross also had their daguerreotypes taken by the same artist.
 




Travels alone to Boston

August 25, 1846


On 25 August 1846 when she was only fifteen years old, Emily made her first alone trip to Boston for health reasons. The trip made a big impression on Emily, especially her visit to the Mount Auburn Garden Cemetery. 


As Emily wrote in a letter to Abiah Root: 


"Father & Mother thought a journey would be of service to me & accordingly, I left for Boston week before last. I had a delightful ride in the cars & am now quietly settled down, if there can be such a state in the city. I am visiting my aunt's family & am happy . . . I have been to Mount Auburn, to the Chinese Museum, to Bunker hill. I have attended 2 concerts, & 1 Horticultural exhibition. I have been upon the top of the State house & almost everywhere that you can imagine. Have you ever been to Mount Auburn? If not you can form but slight conception - of the "City of the dead.



Sits for a daguerreotype

Dec 10, 1846 - Mar 1847

Emily Dickinson and her mother, Emily Norcross Dickinson, were believed to have sat for daguerreotypist William C. North sometime between 10 December 1846 and March 1847 to have their daguerreotypes taken. 

The result was a sixth-plate daguerreotype, showing a three-quarter view of the poet seated with her arm resting on a cloth-covered table with a book, possibly the Bible, while gripping a small bouquet of flowers and looking directly at its observers. 


This iconographic photograph, which presents the Emily Dickinson in black and white, is believed to be only known photograph of the poet for years, before Dr. Philip F. Gura acquired what is alleged to be a second photo of Dickinson on 12 April 2000 in an ebay auction.






Emily graduates from Amherst Academy


August 1847


By August 1847, Emily graduated from Amherst Academy. After graduation, she began preparing for Mount Holyoke Female Seminary in South Hadley, which at that time was one of the best boarding schools in New England. 


Emily spent hours in her room preparing for her admittance exam, studying mathematics, ecclesiastical history, geometry, and science. Her father was an ardent believer in the benefit of a girls' boarding school experience, even if it meant his favorite daughter would spent much of the next year away from home.



Enters Mount Holyoke

September 30, 1847

In the fall of 1847, Emily and her father traveled to Mount Holyoke Female Seminary. After the exhausting three-day entrance exam, Emily began attending the school on 30 September 1847 where she was assigned by the headmistress, Mary Lyon, to room with her cousin, Emily Lavinia Norcross. 

According to her letters, her day was plotted out with almost military precision. When the girls were not in classes, they were often completing chores. Each boarder paid only sixty dollars a year in tuition, paying for the rest of her board with domestic labor. Emily was assigned to polish silver. 


During this time, older brother Austin, visited her often with gifts and sweets from home. As time passed, Emily's homesickness dissipated. She grew to enjoy the routine of school, the stimulation of her studies, and the friendships she made. 






Writes to a friend regarding her illness

 May 16, 1848



During her first year at Mount Holyoke, Emily became sick and developed a cough, which she might have contracted from her cousin and roommate, Emily Lavinia Norcross who was suffering from Tuberculosis at the time. On 16 May 1848, she vented her frustrations regarding her illness and her failed attempts at hiding her health conditions from her parents in a letter to Abiah Root where she writes: 


"I had not been very well all winter, but had not written home about it, lest the folks should take me home. During the week following examinations, a friend from Amherst came over and spent a week with me, and when that friend returned home, father and mother were duly notified of the state of my health. Have you so treacherous a friend?"


"Now knowing that I was to be reported at home, you can imagine my amazement and consternation when Saturday of the same week Austin arrived in full sail, with orders from head-quarters to bring me home at all events. At first I had recourse to words, and a desperate battle with those weapons was waged for a few moments, between my Sophomore brother and myself. Finding words of no avail, I next resorted to tears . . .    As you can imagine, Austin was victorious, and poor, defeated I was led off in triumph."


Returns home from Mount Holyoke

August 1848

Upon learning of her health conditions, Emily’s father sent for her immediately and insisted that she return home at once. She returned home, and after resting at home for a few weeks Emily did finish her term at Mount Holyoke.


However, by August 1848, Emily was back at Homestead, never to return again to Holyoke. Some speculate that she refused to sign an oath given the headmistress, Mary Lyon, which stated she would devote her life to Jesus Christ. Lyon was a religious woman who hoped that many of her pupils would become missionaries and travel to distant lands to convert people to Christianity. Rrealizing she no longer wanted to attend there, went home and never returned. Nonetheless, her departure from Holyoke marked the end of her formal schooling. 




Back at home, Emily’s health improved. And despite her later reputation as a recluse, she regularly attended parties and usually found herself the center of a group of people who were dazzled by her intelligence and wit. She often kept her friends laughing for hours on end and even outraged her parents by pulling pranks such as leaving the funeral of a family friend with her wild cousin Willie in his fast horse and buggy. Dickinson's father was deeply angered by this breach of propriety.


Lavinia leaves for Ipswich Female Seminary

1849


In 1849, Emily's sister Lavinia left home for Ipswich Female Seminary, leaving Emily with many of the household chores. The change was hardly welcome. She disliked the domestic chores and grew frustrated with the time constraints it imposed on her. As she exclaimed in a letter to Abiah Root in 1850, "God keep me from what they call households." She continues, "The circumstances under which I write you this morning are at once glorious, afflicting, and beneficial. . . . On the lounge asleep, lies my sick mother . . . here is the affliction. I need not draw the beneficial inference--the good I myself derive, the winning the spirit of patience, the genial house-keeping influence stealing over my mind, and soul, you know all these things I would say, and will seem to suppose they are written, when indeed they are only thought."



"Magnum bonum" is published


                                                      
Febuary 7, 1850 


On 7 February 1850, a poem similar to the first line of Emily's Valentine letter to George H. Gould was published anonymously in "The Indicator", a student magazine of Amherst College. One of the writers in the publication was Gould, a friend of Austin that acted as a likely consignee for Emily. 


The first line of the poem, and the letter, is one crackling "nonsense" which goes: "Magnum bonum, "harum scarum," zounds et zounds, et war alarum, man reformam, life perfectum, mundum changum, all things flarum?" The poem, stands to be Emily's first published work during her lifetime.





The Great Revival and religious imagery

August 11, 1850

When Emily turned twenty in 1850, a religious movement called The Great Revival was taking place. A fervent renewal of Christian spirituality, the Revival inspired huge numbers of people to officially join churches and declare themselves "for Christ." It also resulted in the Temperance Movement, which argued for banning the consumption of alcohol. 

In Amherst, a number of town saloons were forced to close. Dickinson's father joined the Temperance Movement and even officially joined his Congregational Church on August 11, 1850, publicly declaring his faith. Emily, still unconvinced and unsure, did not. Thinking about the Congregationalist faith, she could not accept all of its tenets, and its concepts of judgment and hell frightened her. 

She gave religious matters her thorough attention and as a result, religious imagery found its way into her poems, which she was writing with more frequency now. She wrote about faith, domestic matters, nature, immortality and, increasingly, death. She was becoming preoccupied with death and the soul, and her own spiritual investigations gave her a deep well of imagery and metaphor for her poems. 


Emily's friend, Leonard Humphrey, dies



November 30, 1850 




In November 30, 1850, Leonard Humphrey, Emily's friend and tutor, died of what was then called brain congestion. Humphrey was a very dear friend to Emily. She deeply admired him, first as her principal at Amherst Academy and later as a friend and mentor. 

For Emily, Humphrey's death was a crushing blow. Thus, she spent the next few months in a depression. However, as Emily wrote in a letter to Thomas Higginson more than ten years later in 1862, Humphrey's death (as well as that of her second tutor Ben Franklin three years later) continues to affect her and her writing for years to come.






Austin graduates from Amherst College

June 7, 1851

Emily's brother, Austin, graduated from Amherst College on June 7, 1851. After graduating from Amherst, he began teaching at a boy's school in Boston. 

During this time, Emily was already writing poems in her room, but did not tell anyone about her budding craft, nor her literary experimentation with structure and style, such as assonant rhyming patterns and dashes dividing lines into rhythmic sections. 

She also spent almost as much time reading as she did writing. She devoured the poetry of Elizabeth Barrett Browning and constantly read "The Atlantic Monthly," "Harper's," and "Scribners." She also read novels like Vanity Fair by Thackeray. She especially loved the novelists George Eliot and Thomas Carlyle.



"Sic transit" is published

Feb 14, 1852 - Feb 20, 1852


Emily enjoyed sending her short poems to friends to mark holidays and other special occasions. On Valentine's Day 1852, she wrote a poem beginning with "Sic transit" and sent it as a Valentine to William Howland, one of the young men in her father's law office. Little is known about William Howland, but it is unlikely that he and Dickinson ever had relationship. 

Howland was so impressed by Dickinson's poem that he sent it, without telling her, to the Springfield Republican newspaper. A few days later on 20 February, while she was leafing through the newspaper, Dickinson caught sight of the poem printed on one of the pages of the Springfield Republican. She was mortified and successfully hid the newspaper from her father.



Emily's dear friend, Benjamin Franklin Newton dies

Mar 24, 1853

In March of 1853, Dickinson was flipping through the Springfield Republican and came across a tiny obituary. She read that her dear friend and second tutor Benjamin Newton had died of tuberculosis on March 1853. Dickinson fell ill almost at once, deeply shaken by her friend's sudden death.


Although Newton had become sick ever since he left Amherst, his death still came as a shock for Emily. His counsel and thoughtful advice about Emily's poems had buoyed her spirits, which had just started to take flight. Newton's death affected Emily for months. And she would remember him for years to come. Taking place just a few years after the death of her first tutor, Leonard Humphrey, his death was another crushing blow for her.
However, Newton's impact on Emily's life did not end with his death, because Newton's Transcendental philosophies will resonate in Emily's poems - both in subject and in style - for years to come.




Emily travels to Washington

Feb 1855 - Mar 1855

In 1855 Emily travelled to Washington, spending three weeks there with her father, mother, and sister. Emily had a long-standing interest in politics and always kept abreast of current events. Even though she had been unwilling to leave Amherst, she adored Washington. She and her family rode a boat down the Potomac River, visited Mount Vernon and the Capitol, and attended numerous Washington parties. 

It was at these gatherings that the shy poet shined. Dickinson dazzled her father's political cohorts. Her insights into world affairs and her dry sense of humor bewitched almost everyone who met her at these functions. Roger Taney, Chief Justice of the Supreme Court, was especially enchanted by Dickinson. The Dred Scott case was hanging over his head; he had spent most of the evening discussing it, and found Dickinson's wit refreshing.

While in Washington, Emily ran into one of her childhood friends, Helen Fiske, and Fiske's husband, a soldier named Edward Bissell Hunt. Emily found Hunt captivating, and Hunt was fascinated by Dickinson. Some scholars have said that Dickinson fell in love with Edward Hunt, although there is no evidence to back up this claim. However, Emily did write in a letter at the time that Edward Hunt intrigued her more than any man she had met before.



Meets Reverend Charles Wadsworth in Philadelphia

Mar 4, 1855

After three weeks in Washington, Emily traveled to Philadelphia to visit with her old school friend Eliza Coleman. Eliza's father, Reverend Lyman Coleman, was pastor of the Presbyterian Academy of Philadelphia, and through him Dickinson made the acquaintance of a serious, dark-eyed man named Dr. Charles Wadsworth. 

Wadsworth was a preacher at Arch Street Presbyterian Church. He was a brilliant man, and Dickinson felt immediately drawn to him. He was married, but he took to Dickinson immediately and when she left, they began a long correspondence. Wadsworth occasionally visited Dickinson in Amherst. Dickinson turned away more and more visitors as the years passed, including her good friend Samuel Bowles, but she never turned away Dr. Charles Wadsworth. 

This trip to Washington proved that Emily had both the social and the intellectual gifts to be part of that world. However, after returning home from her trips to Washington (and subsequently Philadelphia), she retreated for good into her cloistered, self-made world. Three portraits hung on the walls of her room: George Eliot, Thomas Carlyle and Dr. Charles Wadsworth.



Edward Dickinson repurchases Homestead


November 1855

In November 1855, following the death of David Mack, Edward Dickinson re-purchased his father's Homestead and moved his family there. However, although Emily enjoyed the extensive gardens and the conservatory her father built for her, the move back to the old house was deemed a struggle by Emily who has lived most of her formative years in West Street. As she writes in a letter to Mrs. Holland, 

"I cannot tell you how we moved. ... I supposed we were going to make a "transit," as heavenly bodies did-but we came budget by budget, as our fellows do, till we fulfilled the pantomime contained in the word "moved." It is a kind of gone-to-Kansas feeling, and if I sat in a long wagon, with my family tied behind, I should suppose without doubt I was a party of emigrants!"



Austin and Susan Gilbert marry

                                                              July 1, 1856

In 1853, Austin began courting one of Emily's friends, Susan Gilbert. Susan and Austin had met at the Sewing Society and they deeply admired each other. Austin thought Susan pretty and graceful and intelligent, and Susan found Emily exceptionally witty and articulate. The whole Dickinson family, in fact, took to Susan immediately. They were engaged during Thanksgiving on 23 March 1853 at the Revere Hotel in Boston. And on 1 July 1856, the couple married in the home of Susan's aunt Sophia Arms Van Vranken in Geneva , New York. They then moved to the Evergreens, next door to the Homestead. 

Emily and Sue's friendship, which had continued uninterrupted since they were children, strengthened after Sue's marriage into the family. The marriage brought a new "sister" into the family, one with whom Emily felt she had much in common. That Gilbert's intensity was finally of a different order Dickinson learned over time, but in the early 1850s, as her relationship with Austin was waning, her relationship with Gilbert was growing. Gilbert would figure powerfully in Dickinson's life as a beloved comrade, critic, and alter ego.



Supposed writing of the Master Letters   

1858 - Feb 1861

Believed to be written between 1858 to 1861, the three letters, which Emily Dickinson drafted to a man she called "Master," stands at the heart of Emily's mysterious life.Although there is no evidence the letters were ever posted, they indicate a long-distance relationship, where correspondence is the primary means of communication. Given that Emily Dickinson did not write letters as a fictional genre, it is supposed that these three letters were part of a much larger correspondence yet unknown. As to the identity of "Master", some biographers have been convinced Dickinson might have been romantically involved with the newspaper publisher Samuel Bowles, a friend of her father's, Judge Otis Lord, or a minister named Charles Wadsworth. A relatively recent theory has emerged that proposes William S. Clark, a prominent figure in Amherst at the time, as the identity of her "Master".Based on Jay Leyda's dating, the letters were probably written as follows: early spring 1858 ("I am ill"), January? 1861 ("If you saw a bullet"), and February? 1861 ("Oh! did I offend it")


"Nobody knows this little rose" is published



Aug 2, 1858 

On 2 August 1858, Emily's poem beginning with "Nobody knows this little rose" is printed anonymously in the Springfield Daily Republican. The Republican's editor, Samuel Bowles is said to be directly responsible for its printing.






Wadsworth visits Emily in Amherst


March 1860  

Charles Wadsworth became an important figure in Emily's interior universe, serving as her muse. Emily secretly sent letters to him through friends, asking them to write his address on the envelope in their handwriting. 

In early spring of 1860, Emily was surprised to find Wadsworth at the door. He had come for an unexpected visit to Amherst, and Emily joined him for a carriage ride. Emily's niece Martha Dickinson Bianchi-Austin and Sue's daughter-later said that when Emily went for the carriage ride, Lavinia rushed across the lawn into Sue's house and said breathlessly: "I am afraid Emily will go away with him." The couple returned, however, and Lavinia returned to the house to find Wadsworth gone and Dickinson locked in her room.





Begins the habit of dressing in white


In 1861, Emily adopted the habit of dressing exclusively in white, a habit she kept until her death 24 years later. During the same year, she also Emily begged her cousins to take her place at a commencement tea at home for Amherst College students because she felt, "too hopeless and scared" to face visitors. Eventually she secluded herself behind her doors altogether until, for the last fifteen years of her life, no one saw her but her immediate family.








“I taste a liquor never brewed" is published

May 4, 1861 - May 11, 1861 




On May 4, 1861, one of Dickinson's poems, "I taste a liquor never brewed," appeared in Samuel Bowles' Springfield Republican under the title "The May-Wine". Like all her poems published during her lifetime, the poem was unsigned, but it pleased Emily to see her words in print, nonetheless. 









Emily's nephew, Edward, is born

Jun 19, 1861 

Austin and Susan Dickinson’s first child, Edward, is born 19 June 1861.